Anatomia del disastro (2025) - 12’

for saxophone, clarinet, cello and piano

Programme notes

The future, as it has been conceived in the last two and a half centuries - the expectation and horizon of change and progress – seems to no longer exist, replaced by a series of circumstances that culminate with a catastrophe, in which the natural event (earthquake, tornado, storm, etc.) is now overtaken by the artificial one made by humans themselves (nuclear accident, climate change, etc.). The flow of present time is determined by the onset of catastrophic occurrences; we move from accident to accident, so much so that the future itself appears to us in this form, which we fear but which together, more or less consciously, we wish for. If every day the news and the web do not provide us with images of tragic events, it seems to us that nothing has happened, that time has passed in vain: we live immersed in the tale of the disaster.

The piece investigates the ambiguity and (ab)normality of this phenomenon, building a dramaturgy that emphasizes the paradoxical co-presence of two psychological states: the obsessive and suffocating wait for an imminent catastrophe and the surreal climate of impotence and emotional detachment that announces its arrival.

Instrumentation

  • Soprano, Alto and Tenor Saxophone (1 performer) + a kazoo

  • Bb and Bass Clarinet (1 performer) + thunder tube Remo SP-0207-TD 7" x 2" (or similar)

  • Prepared Cello + plectrum, A4 paper sheet, a big wooden clothespin, a small plastic clothespin

  • Piano + Blu Tack, a strip of duct tape, A4 paper sheet, metal chain, thunder tube Remo SP-0207-TD 7" x 2" (or similar), megaphone with siren (not less than 45-50 watt), mechanical metronome, 2 plectrums, guitar slide, music box/carillon, analogic radio

Premiere

25/07/25, Barcelona (Spain), Institut français. Performer: Barcelona Modern Ensemble: Carlos Saleiro saxophone | Xavier Castillo clarinet | Irma Bau Rubinat cello | Francisco Marti piano | Xavier Pagès-Corella conductor.